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Denny
Crane
Handmade
Item # 59RM15
Size: 15"L x 8"W x 30"H
Price: $ 119
This is a hand-crafted collection of realistic plush, sometimes lifesize animals. The "coat" of each animal is meticulously cut by hand, never stamped out by machine. Gentle paws, swishing tails, and especially soulful eyes and faces are lovingly detailed to give each animal a life-like look.
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Cranes are large, long-legged and long-necked birds of the order Gruiformes, and family Gruidae. There are fifteen species. Unlike the similar-looking but unrelated herons, cranes fly with necks outstretched, not pulled back. Cranes live on all continents except Antarctica and South America.
Most species of cranes are at least threatened, if not critically endangered, within their range. The plight of the Whooping Cranes of North America inspired some of the first US legislation to protect endangered species.
The fossil record of cranes leaves much to be desired. Apparently, the subfamilies were well distinct by the Late Eocene (around 35 mya). The present genera are apparently some 20 mya old. Biogeography of known fossil and the living taxa of cranes suggests that the group is probably of (Laurasian?) Old World origin. The extant diversity at the genus level is centered on (eastern) Africa, making it all the more regrettable that no decent fossil record exists from there. On the other hand, it is peculiar that numerous fossils of Ciconiiformes are documented from there; these birds presumably shared much of their habitat with cranes back then already.
The cranes' beauty and their spectacular mating dances have made them highly symbolic birds in many cultures with records dating back to ancient times. Crane mythology is widely spread and can be found in areas such as the Aegean, South Arabia, China, Korea, Japan and in the Native American cultures of North America. In northern Hokkaido, the women of the Ainu people performed a crane dance that was captured in 1908 in a photograph by Arnold Genthe. In Korea, a crane dance has been performed in the courtyard of the Tongdosa Temple since the Silla Dynasty (646 CE).
In Mecca, in pre-Islamic South Arabia, Allat, Uzza, and Manah were believed to be the three chief goddesses of Mecca, they were called the "three exalted cranes" (gharaniq, an obscure word on which 'crane' is the usual gloss). See The Satanic Verses for the best-known story regarding these three goddesses.
The crane was a bird of omen. In the tale of Ibycus and the cranes, a thief attacked Ibycus (a poet of the 6th century BCE) and left him for dead. Ibycus called to a flock of passing cranes, who followed the attacker to a theater and hovered over him until, stricken with guilt, he confessed to the crime.
Pliny the Elder wrote that cranes would appoint one of their number to stand guard while they slept. The sentry would hold a stone in its claw, so that if it fell asleep it would drop the stone and waken.
Aristotle describes the migration of cranes in The History of Animals, adding an account of their fights with Pygmies as they wintered near the source of the Nile. He describes as untruthful an account that the crane carries a touchstone inside it that can be used to test for gold when vomited up. (This second story is not altogether implausible, as cranes might ingest appropriate gizzard stones in one locality and regurgitate them in a region where such stone is otherwise scarce)
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